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Quentin Jerome Tarantino (; born March 27, 1963) is an American film director, writer, producer, and actor. His films are characterized by stylized violence, extended dialogue including the pervasive use of profanity and references to popular culture. Tarantino began his career as an independent filmmaker with the release of the crime film Reservoir Dogs in 1992. His second film, Pulp Fiction (1994), a dark comedy crime thriller, was a major success with critics and audiences winning numerous awards, including the Palme d'Or and the Academy Award for Best Original Screenplay. In 1996, he appeared in From Dusk till Dawn, also writing the screenplay. Tarantino's third film, Jackie Brown (1997), paid homage to blaxploitation films. In 2003, Tarantino directed Kill Bill: Volume 1, inspired by the traditions of martial arts films; it was followed by Volume 2 in 2004. He then made the exploitation slasher Death Proof (2007), part of a double feature with Robert Rodriguez, released under the collective title Grindhouse. His next film Inglourious Basterds (2009) told an alternate history with the war film genre. He followed this with Django Unchained (2012), a slave revenge Spaghetti Western, which won him his second Academy Award for Best Original Screenplay. Tarantino's eighth film, The Hateful Eight (2015), was a revisionist Western thriller and opened to audiences with a roadshow release. His most recent film, Once Upon a Time in Hollywood (2019), is a comedy drama set in the late 1960s about the transition of Old Hollywood to New Hollywood. A novelization of the film was also published in 2021, becoming his debut novel. Tarantino's work has been subject to controversy, such as the depictions of violence, frequent inclusion of racial slurs and the alleged negligence of safety in his handling of stunt scenes on Kill Bill: Volume 2. During his career, Tarantino's films have garnered a cult following, as well as critical and commercial success. He has been considered "the single most influential director of his generation", and listed as one of the most influential people in the world. Apart from receiving the Palme d'Or and two Academy Awards, his other major awards include two BAFTAs and four Golden Globes.

Pauline Kael (; June 19, 1919 – September 3, 2001) was an American film critic who wrote for The New Yorker from 1968 to 1991. Known for her "witty, biting, highly opinionated and sharply focused" reviews, Kael's opinions often ran contrary to those of her contemporaries. One of the most influential American film critics of her era, she left a lasting impression on the art form. Roger Ebert argued in an obituary that Kael "had a more positive influence on the climate for film in America than any other single person over the last three decades". Kael, he said, "had no theory, no rules, no guidelines, no objective standards. You couldn't apply her 'approach' to a film. With her it was all personal." In a blurb for The Age of Movies, a collection of her writings for the Library of America, Ebert wrote that "Like George Bernard Shaw, she wrote reviews that will be read for their style, humor and energy long after some of their subjects have been forgotten." Owen Gleiberman said she "was more than a great critic. She reinvented the form, and pioneered an entire aesthetic of writing."