Martin Lindstam

Daniel Cole / AP

Nöje & kultur

Felicia Nordlund

Leo Correa / TT NYHETSBYRÅN

Hotet mot Amazonas

Magnus Sandberg

OBOS

Det finns väldigt många bra erbjudande. Vi tycker att det är bra när man kan göra något tillsammans hela familjen.

Therese Rydberg.

OBOS Partner

Omni Ekonomi

Anna Thulin

Antonio Calanni / TT NYHETSBYRÅN

Coronaviruset

Smittans effekter

Hanna Åkesson

Privat/ Chinyere Ezie

Utrikes

[1/2] #Prada Group abhors racist imagery. The Pradamalia are fantasy charms composed of elements of the Prada oeuvr… https://t.co/uAoATa0w41

[2/] #Prada Group never had the intention of offending anyone and we abhor all forms of racism and racist imagery.… https://t.co/Hpu3XBFIU7

Blackface is a form of theatrical make-up used predominantly by non-black performers to represent a caricature of a black person. It has been considered a racially insensitive representation of blackness by the African American community. The practice gained popularity during the 19th century and contributed to the spread of racial stereotypes such as the "happy-go-lucky darky on the plantation" or the "dandified coon". In 1848, blackface minstrel shows were an American national art of the time, translating formal art such as opera into popular terms for a general audience. Early in the 20th century, blackface branched off from the minstrel show and became a form in its own right.

Blackface

Prada

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