Arc de Triomphe, Wrapped. (Lewis Joly / TT NYHETSBYRÅN)

Sex miljoner besökte den tygklädda triumfbågen

Sex miljoner människor besökte verket ”Arc de Triomphe, Wrapped” i Paris under de tre veckor i september och oktober som Triumfbågen var insvept i tyg. Det rapporterar AFP och hänvisar till de preliminära siffrorna som släpptes på tisdagen. Siffrorna kommer från mobil- och transportdata som staden samlat in.

Monumentet på Champs-Élysées täcktes över med 25 000 meter silverblått tyg enligt idén som konstnärerna Christo och Jeanne-Claude hade när de levde.

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Christo and Jeanne-Claude
Wikipedia (en)
Christo Vladimirov Javacheff (1935–2020) and Jeanne-Claude Denat de Guillebon (1935–2009), known as Christo and Jeanne-Claude, were artists noted for their large-scale, site-specific environmental installations, often large landmarks and landscape elements wrapped in fabric, including the Wrapped Reichstag, The Pont Neuf Wrapped, Running Fence in California, and The Gates in New York City's Central Park.Born on the same day in Bulgaria and Morocco, respectively, the pair met and married in Paris in the late 1950s. Originally working under Christo's name, they later credited their installations to both "Christo and Jeanne-Claude". Until his own death in 2020, Christo continued to plan and execute projects after Jeanne-Claude's death in 2009. Their work was typically large, visually impressive, and controversial, often taking years and sometimes decades of careful preparation – including technical solutions, political negotiation, permitting and environmental approval, hearings and public persuasion. The pair refused grants, scholarships, donations or public money, instead financing the work via the sale of their own artwork. Christo and Jeanne-Claude described the myriad elements that brought the projects to fruition as integral to the artwork itself, and said their projects contained no deeper meaning than their immediate aesthetic impact; their purpose being simply for joy, beauty, and new ways of seeing the familiar.
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