Patrik Dahlin

Nöje & kultur

Linnea Järkstig

Joel C Ryan / AP

Elgiganten

Elgiganten Partner

Verónica Wiklöf

Stefan Lindblom/Helsingborgbild/TT

Lars Vilks 1946–2021

Isabelle Nordström

Martin Lindstam

John Minchillo / AP

Omni Mer låser upp en mängd artiklar. En smidig lösning när du vill fördjupa dig.

Gå förbi betalväggar!

Stina Stjernkvist/TT

Den samiska trumman, spåtrumman, nåjdtrumman eller shamantrumman (lulesamiska: Goabdes, nordsamiska: Goavddis alternativt meavrresgárri, sydsamiska: Gievrie), är en ceremonitrumma som har en central roll inom traditionell samisk religion och länge funnits förankrad i det samiska livet och kulturen.

Samisk trumma

Mattias Sävenstrand

Eskilstuna Energi och Miljö

Eskilstuna Energi och Miljö Partner

Mer-redaktionen

Mikayla Whitmore / For The Washington Post

Innovation & framtid

Mats Karlsson

Unsplash/Markus Winkler

Tech

Wikimedia Commons/TT

Joel Malmén

Wikimedia Commons

The Benin Bronzes are a group of several thousand metal plaques and sculptures that decorated the royal palace of the Kingdom of Benin in what is now Edo State, Nigeria. Collectively, the objects form the best examples of Benin art and were created from the thirteenth century by artists of the Edo people. Apart from the plaques, other sculptures in brass or bronze include portrait heads, jewellery and smaller pieces.

Many of the dramatic sculptures date to the thirteenth century, and a large part of the collection dates to the fifteenth and sixteenth centuries. It is believed that two "golden ages" in Benin metal workmanship occurred during the reigns of Esigie (fl. 1550) and of Eresoyen (1735–1750), when their workmanship achieved its highest quality, periods in which most of Benin's wealth was a product of its participation in the Transatlantic slave trade Copper and brass Manilla used as the principle means of exchange for slaves, and ivory, with the Kingdom.Most of the plaques and other objects were looted by British forces during the Benin Expedition of 1897 as imperial control was being consolidated in Southern Nigeria. Two hundred pieces were taken to the British Museum in London, while the rest found their way to other European museums. A large number are held by the British Museum with other notable collections in Germany and the United States.The Benin Bronzes led to a greater appreciation in Europe of African culture and art. Initially, it appeared incredible to the discoverers that people "supposedly so primitive and savage" were responsible for such highly developed objects. Some even wrongly concluded that Benin knowledge of metallurgy came from the Portuguese traders who were in contact with Benin in the early modern period. The Kingdom of Benin was a hub of African civilization long before Portuguese traders visited, and it is clear that the bronzes were made in Benin by an indigenous culture, centuries before European contact.While the collection is known as the Benin Bronzes, like most West African "bronzes" the pieces are mostly made of brass of variable composition. There are also pieces made of mixtures of bronze and brass, of wood, of ceramic, and of ivory, among other materials. The metal pieces were made using lost-wax casting and are considered among the best sculptures made using this technique.

Benin Bronzes

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