Triumfbågen insvept i tyg – 60 år efter konstnärers idé
Triumfbågen i Paris har som en konstinstallation svepts in i 25 000 kvadratmeter silverfärgat tyg av polypropen, skriver franska medier. Le Monde skriver att den berömda konstnärsduon Christo och Jeanne-Claude, som tidigare klätt in bland annat riksdagshuset i Berlin i tyg, skissade på idén redan tidigt 1960-tal. Båda två är numera döda, men i och med installationen får de sin sista önskan uppfylld.
Verket väcker uppmärksamhet bland Parisborna, rapporterar CBS News.
– Vanligtvis går jag upp och ner för Champs-Élysées utan att se Triumfbågen – i dag gör jag det, säger en förbipasserande till tv-kanalen.
bakgrund
Christo och Jeanne-Claude
Wikipedia (en)
Christo Vladimirov Javacheff (1935–2020) and Jeanne-Claude Denat de Guillebon (1935–2009), known as Christo and Jeanne-Claude, were artists noted for their large-scale, site-specific environmental installations, often large landmarks and landscape elements wrapped in fabric, including the Wrapped Reichstag, The Pont Neuf Wrapped, Running Fence in California, and The Gates in New York City's Central Park.Born on the same day in Bulgaria and Morocco, respectively, the pair met and married in Paris in the late 1950s. Originally working under Christo's name, they later credited their installations to both "Christo and Jeanne-Claude". Until his own death in 2020, Christo continued to plan and execute projects after Jeanne-Claude's death in 2009.
Their work was typically large, visually impressive, and controversial, often taking years and sometimes decades of careful preparation – including technical solutions, political negotiation, permitting and environmental approval, hearings and public persuasion. The pair refused grants, scholarships, donations or public money, instead financing the work via the sale of their own artwork.
Christo and Jeanne-Claude described the myriad elements that brought the projects to fruition as integral to the artwork itself, and said their projects contained no deeper meaning than their immediate aesthetic impact; their purpose being simply for joy, beauty, and new ways of seeing the familiar.
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